{"id":10589,"date":"2025-06-19T15:24:39","date_gmt":"2025-06-19T13:24:39","guid":{"rendered":"https:\/\/designgoscinny.com\/?page_id=10589"},"modified":"2025-09-29T11:14:51","modified_gmt":"2025-09-29T09:14:51","slug":"memoire-graphisme","status":"publish","type":"page","link":"https:\/\/designgoscinny.com\/index.php\/memoire-graphisme\/","title":{"rendered":"MEMOIRE GRAPHISME"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbHeader\u00a0\u00bb _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb collapsed=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bbnone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.3″ _module_preset=\u00a0\u00bbdaf64247-eefa-4fee-a0dc-a3b069039322″ text_font=\u00a0\u00bbsofia pro medium||||||||\u00a0\u00bb header_font=\u00a0\u00bbsofia pro light|500||on|||||\u00a0\u00bb header_font_size=\u00a0\u00bb6vw\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

S\u00e9lection de M\u00e9moires<\/h1>\n

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Oc\u00e9ane DOUCHEZ<\/h2>\n

Apprendre autrement : le design graphique au service des \u00e9l\u00e8ves TDAH<\/h3>\n

Cet article analyse comment le design graphique peut r\u00e9pondre aux besoins \u00e9ducatifs des \u00e9l\u00e8ves TDAH, un trouble qui affecte environ 5 % des enfants scolaris\u00e9s. En s’appuyant sur des strat\u00e9gies visuelles, sensorielles et interactives, il explore des outils pour favoriser leur apprentissage, leur bien-\u00eatre et leur inclusion. Il vise aussi \u00e0 sensibiliser l’entourage scolaire \u00e0 leurs besoins, tout en valorisant leurs sp\u00e9cificit\u00e9s dans une approche p\u00e9dagogique plus \u00e9quitable et inclusive.<\/p>\n<\/div>\n

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Emeline Hur\u00e9<\/h2>\n
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Le graphisme engag\u00e9 pour questionner nos habitudes alimentaires<\/h3>\n<\/div>\n
L\u2019industrialisation et la production de masse ont boulevers\u00e9 nos habitudes, notamment alimentaires, en favorisant surproduction et surconsommation. Chaque seconde, 2 000 animaux sont abattus dans le monde. La m\u00e9canisation de la viande a transform\u00e9 notre rapport \u00e0 celle-ci, au prix d’impacts majeurs sur l’environnement et d\u2019un bien-\u00eatre animal gravement compromis par des pratiques barbares.Ces enjeux \u00e9thiques et sanitaires interrogent le r\u00f4le du design graphique dans la sensibilisation aux contradictions entre nos convictions et nos comportements. Comment concevoir des outils visuels percutants pour interpeller et mobiliser le public ? Face \u00e0 l\u2019urgence, le designer doit-il adopter une posture engag\u00e9e pour provoquer une r\u00e9elle prise de conscience et encourager un changement durable ?<\/div>\n<\/div>\n

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LINO BROCHARD <\/b><\/h2>\n

Typo typ\u00e9es et Identit\u00e9s<\/h3>\n

La mondialisation et le num\u00e9rique ont permis des \u00e9changes culturels toujours plus intenses, participant \u00e0 cr\u00e9er un monde plus ouvert o\u00f9 les identit\u00e9s culturelles sont moins cloisonn\u00e9es. Bien que facilitant le partage, cela inqui\u00e8te les communaut\u00e9s locales qui voient leur patrimoine culturel diminuer face \u00e0 cette dynamique homog\u00e9n\u00e9isante. \u00c9troitement li\u00e9e \u00e0 la culture, la typographie est un outil flexible, qui peut t\u00e9moigner de l’\u00e2me de celles-ci, de leur existence et de leurs richesses. Pour autant, une typographie devient v\u00e9ritablement repr\u00e9sentative lorsqu’elle est nourrie par une dynamique vivante entre designers, populations locales et contextes culturels. La responsabilit\u00e9 en incombe au designer, alors m\u00e9diateur, d’aider et de permettre cette introspection.<\/span><\/p>\n<\/div>\n

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MALORY BROCART <\/b><\/h2>\n

Les d\u00e9rives marketing de l\u2019industrie alimentaires<\/h3>\n

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Partant du constat que \u00ab le laid se vend mal \u00bb, cette recherche interroge le r\u00f4le du designer dans l\u2019industrie alimentaire. Aujourd\u2019hui, 77 % des enfants ne b\u00e9n\u00e9ficient pas d\u2019une alimentation vari\u00e9e et saine. L\u2019emballage est de nos jours un facteur d\u2019influence, d\u2019autant plus chez l\u2019enfant, cible num\u00e9ro 1 des services marketing. Bien que l\u2019industrialisation et la consommation de produits transform\u00e9s alertent de nos jours les parents, elles ne constituent pas un ralentissement de leur consommation, ayant un impact sur la sant\u00e9 publique et l\u2019environnement. Ces enjeux \u00e9thiques interrogent quel est le r\u00f4le du designer et quelle influence joue-t-il en mati\u00e8re de sensibilisation et de d\u00e9veloppement des consciences en design de packaging chez les plus jeunes ? En se basant sur des moyens visuels, tridimensionnels, sensoriels et ludiques, cette approche vise \u00e0 favoriser l\u2019apprentissage et \u00e0 l\u2019\u00e9veiller par le jeu.<\/span><\/div>\n

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S\u00e9lection de M\u00e9moires Oc\u00e9ane DOUCHEZ Apprendre autrement : le design graphique au service des \u00e9l\u00e8ves TDAH Cet article analyse comment le design graphique peut r\u00e9pondre aux besoins \u00e9ducatifs des \u00e9l\u00e8ves TDAH, un trouble qui affecte environ 5 % des enfants scolaris\u00e9s. En s’appuyant sur des strat\u00e9gies visuelles, sensorielles et interactives, il explore des outils pour […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-10589","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/designgoscinny.com\/index.php\/wp-json\/wp\/v2\/pages\/10589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/designgoscinny.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/designgoscinny.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/designgoscinny.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/designgoscinny.com\/index.php\/wp-json\/wp\/v2\/comments?post=10589"}],"version-history":[{"count":14,"href":"https:\/\/designgoscinny.com\/index.php\/wp-json\/wp\/v2\/pages\/10589\/revisions"}],"predecessor-version":[{"id":10786,"href":"https:\/\/designgoscinny.com\/index.php\/wp-json\/wp\/v2\/pages\/10589\/revisions\/10786"}],"wp:attachment":[{"href":"https:\/\/designgoscinny.com\/index.php\/wp-json\/wp\/v2\/media?parent=10589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}